Where to now?

I’m having a bit of a directional crisis at the moment and would appreciate some feedback. I recently approached a local gallery for representation and whilst they absolutely love my soft pastel work, they are reticent to take my work on – basically because they battle to actually sell soft pastel landscapes. Whilst the bulk of their comments were really inspirational, I was left wondering whether I’m going in completely the wrong direction.  

I also know, from experience, that pastel works do not sell – no matter how much everyone raves about them, that applause doesn’t often translate into hard cash. So, should I stop working with this medium and concentrate on developing my style with acrylics or oils? 

Anyone who knows me, understands that I do not enjoy working with oils but I decided to have a go with a scene from outside my window yesterday.    This is the source image (quite heavily pixelated):

I toned the paper with an acrylic wash first – I used Arches for Oil paper, which is just about the best you can get and cracked on. 

I use water-soluble oils – mainly Cobra. After waiting for it to dry up a bit overnight, I fiddled about with it some more today and this is where I am now:

Looking out across the winter fields

I frigging hate it! It needs so much more ‘honey’ – it’s not glowing.    I know that if I did this in soft pastels, it would definitely glow and have a bit of spark.  The way it looks now (to me) seems dull and lifeless.   I will probably fiddle about with it more, perhaps with a honey glaze, not sure yet.

I then decided to re-do a soft pastel work that I did last week – this one:

And for this attempt, I used acrylics. This is the result:

‘Sunlit autumn stream – acrylics’

How I test myself with this is to try and take almost the same amount of time that I would have done when making the soft pastel painting. So I forced myself not to fiddle about too much (with the acrylic). I did not use the best quality acrylics, they are student grade. I toned the paper a burnt ochre but now when I remember, I actually used a green toned paper for the pastel one, so maybe that’s why the acrylic version isn’t sparking as much.

Here they are side by side:

Aargh! Come on, give it to me on the nose (I can take it) – should I pack it in with the soft pastels or what?