ART from Norfolk
“Big sky and windmill”
10″ x 8″
Acrylics, Inks, found collage materials (for the foreground) on acrylic canvas board.
Close up:
This is very much a bit of whimsy. I will not be posting on here for a few weeks, as I’m going to be in South Africa soon for a short holiday, visiting friends and family.
“Field study”
15 ½” 10 ½”
Acrylics, inks, found objects (threads), aluminium foil and gels on acrylic paper.
Close ups of texture:
The rape seed fields are now turning a glorious golden / electric yellow – I took this picture whilst out on my own last week, when I went to go and find some bluebells in our local woods.
Bluebells at Tyrrel’s Wood
“Spring fields”
11 ¾” x 7 ¾ “
Acrylic paints, Daler Rowney inks, Pebeo Fantasy Prisme paint (still settling and drying, so there will be changes in the final effects once it’s dried and cured overnight).
Texture detail:
Driving home the other evening, I took a quick photo out of the side of the car of the rape seed fields … I love this time of year. I was inspired by this scene but didn’t want to create just another yellow, blue and green picture … so got fiddling about with the Pebeo paint, which takes an absolute age to dry completely but the results are always interesting. I will also press this when completely dry so that it lies nice and flat.
“Sea”
47″ x 39″ x 1 ½”
Acrylics, metallic paints and inks, on stretched deep wrap canvas.
Ground has been highly textured over a period of months, resulting in a very robust, cured surface that is quite hard. I used caulk, modelling paste and other gels to get the texture. It’s currently hanging in my bedroom (swamping my room as well because it’s quite a large painting), ‘cos I don’t have anywhere else to put it!
Close ups of texture detail
“Reef”
11 ¾” x 7 ¾”
Own modelling paste and Inks on acrylic paper
Smaller photo below of picture in a pre-cut frame.
This is heavily textured and I decided to only use inks for colour.
Close ups of texture – sorry took the photos as light was fading, so I’ve got glare on the image.
Close ups of texture:
UPDATE: After weighting the painting last night, it’s not as rippled as in the previous photograph – so I’ve updated this post with new photos.
Another reason why working on acrylic paper is not always the best thing for me to choose but I didn’t have any canvasses lying around that were ready and as I’ve got kids home for the Easter holidays, time is limited. The paper (even though it’s like linen and thick) wrinkles something horrid – despite the gesso, binders and what not … anyway, this is a ‘sketch’ really. I want to work on a very large canvas that I applied texture to several years ago in the form of waves and spray. With this mock up, I wanted to see if I could get the colours I need for the ‘sea’ with inks.
I only used white acrylic paint, the rest is ink and pencils and globules of texture paste (actually grout). The finished thingie is about 11 1/2″ x 7 1/2′ and needs to be weighted, which I’ll do in the next couple of days (to flatten it out). The colours are much richer in natural light, it looks dull in the photo.
“Vibrant field”
20″ x 16″
Acrylics, inks, gels on heavy textured and sculpted surface (my own texture paste), displacement chemical (Surgical Spirits), Montana copper metallic spray paint on stretched canvas.
Again, I haven’t sealed this yet with a binder or clear gel. My daughter likes this one so much, I don’t think I will be allowed to do anymore work on it 🙂
Close ups of texture:
“Warmscape”
22″ x 18″
Acrylics, texture paste and gels, inks, spray paint on stretched canvas
I haven’t sealed this one yet with an acrylic binder or gel, waiting for it to cure.
Close ups of texture
“Rocks”
Acrylics, inks, thick bonding agent (sort of like grout), gels on A3 acid free paper.
Some close ups of texture:
I may have finished this series of abstract on paper paintings for now, as I would like to get back to using a more robust support, like canvas or board. This particular piece has not yet cured, so it is still a bit rippled and wrinkly, it will settle down eventually and be completely flat. However, I need to start preparing a body of work that I hope to exhibit and hopefully sell 🙂 in the spring/summer (not sure where yet).
I would just like to say thank you to everyone who visits this blog and ‘likes’ or comments on my work, it is very much appreciated and if I don’t automatically go to your blog and like your work it’s not because I’m a cow, it’s perhaps because I got a bit busy and didn’t have time. I look at all the blogs by the authors who visit this site and all of them are spectacular. I feel really privileged to have such a strong, experienced and talented ‘peer group’ of people who regularly make the effort to pop by here and look at my work – thank you all very much!
“Somewhere, a place”
Acrylics, inks, glues, gels on A3 (297 x 420mm or 111.7 x 16.5″) acid free acrylic paper using various techniques.
Close ups of colour and texture detail
“Sparklers with a fire stick”
Acrylics, inks, gel, metallic effect medium on mixed-media paper.
10 ¾ “ x 7 ½ “
Close ups of texture:
About the title:
I was going through old dvd’s I have of stored family photos and came across a picture I’d taken when on holiday in the Southern Drakensberg with my family for a long weekend over Easter back in 2008. We made a fire outside whilst we were braaing (you guys in the UK call it a barbeque). My son placed a few twigs in the red embers, waited until they were glowing and then began making circular patterns, zigzags and drawing words in the darkness (as we would do with sparklers on Guy Fawkes night back in the day when people were responsible and there was no need for stupid draconian health & safety regulations for everything). I digress. Anyway, that moment inspired this painting. (even though I promised I’d lay off the gilt paper for a bit, couldn’t help myself) 🙂
“Abstracted Pebbles”
Acrylics, inks, gels on 140lb A3 size acid free Acrylic paper
Actual size of painting: 14½” x 9¾”
Close ups of texture detail:
This started out a bit of a mess …
but I think I saved it okay. 🙂
“Gold waves”
9 ½” x 6 ½” (Actual painting size)
Acrylics, gels, inks and metallic effect Pebeo paper on mixed media paper.
Detail of foil work
I did a large canvas a few years ago that I’ve never been entirely satisfied with. I used bronze metallic paint to highlight the texture but it isn’t working properly. So I now want to bring it up to speed. The smal piece on paper that I did today is a kind of mock-up for the work I want to do soon on the older large canvas – which looks like this at the moment:
This canvas is 47″ x 39″ and about 2″ deep – I haven’t really had anywhere to work on it because of its size but I’m determined next week to take it downstairs and get started. Wish me luck!
“Flight (for Laura)”
Inks (metallic and standard), acrylics, irridescent medium, on 140lb A3 size acid free Acrylic paper (Oh and I did so cheat, using a Google search for line drawings … wickedness. Laziness. Well it’s Sunday)
Actual size of painting: 14½” x 9¾”
Close ups of texture detail
Thanks for the inspiration, Laura 🙂
These are experiments with resists (vaseline), inks, layering
“Hedgerow”
Mixed media paper – small
“Coral”
Acrylic paper – A3 size
This one was an experiment using printing technique – so the paint is applied on another surface, then lifted off with waxpaper or foil and then printed onto the paper that I’m using for the composition.
“Field 2”
Acrylic paper – A3 size
Reworked “Tree”
Mixed media paper – small
Used to look like this:
“Autumn with rocks”
About 10½” x 7½”
Acrylic, gels, paste, caulk, gilt metallic paper (Pebeo), inks on acrylic paper.
I bought me some Pebeo metallic effect papers yesterday ‘cos they were on sale at Hobbycraft! Of course I didn’t get the gilding paste to go with (duh) … so it’s a bit futile trying to do anything with the metallic paper without the paste. Necessity being the mother … and all that … I used other sticky stuffs that I have laying around and used that to get the metallic paper to bond to the surface of this little piece. It still didn’t work out the way I wanted it to … so looks like I’ll have to go and get me some gilding paste (dammit).
I didn’t gesso the acrylic paper before I applied the textural pastes (I used household grout/filler and glue), so the paper buckled somewhat – I did use a lot of paste though to be fair. I weighted the paper down after a few coats of bonder but it’s still a bit bumpy, which I like. It was supposed to have texture after all! Otherwise why bother hey?
I like the colours on this one, there is just the tiniest smidgeon of metallic powder blue (ink) splattered here and there. I would like to make this one into a much bigger piece with a more rigid substrate.
Thanks for looking at my work and commenting, I really appreciate it! 🙂 Have a lovely weekend.
Texture detail:
“Dune”
Fine sand/grit, bonding agent, acrylics, irridescent medium, gloss medium, various metallics on 140lb A3 size acid free Acrylic paper
Actual size of painting: 14½” x 9¾”
Close ups of texture detail.
There is a slight buckling of the finished work, mainly because it was not completely dry when I took the photos. I am weighting it under pressure at the moment, so that it cures completely flat. This is the first time I’ve worked on acrylic paper, I’m not sure about it yet – although I can already tell that it is much stronger than the multi-media paper and I like the fact that it has a linen type grain, which is enjoyable to work on. I used gesso as primer before starting the work and many layers, using gloss medium and irridescent medium in between to set the layers properly. I’m not 100% happy with the composition but I didn’t want to overwork it so that the colours remained fresh. I tried to evoke a feeling of lazy, hot sunny days near the sea in summer.
“A little bit of sea”
Fine sand/grit, bonding agent, acrylics, irridescent medium, metallics on watercolour paper 300grams Grain Fin Cold Pressed NOT Acid Free
9¾” x 6¼” (Actual paper size is 11.7″ x 8.3″)
Close up of texture detail.
Untitled – study.
Acrylics, gel medium, metallics on mixed-media paper (250gm/169lb)
Approximately 12″ x 8″
Close up of texture detail.
I have been watching a lot of videos by the German artist, Gerda Lipski and was inspired by her to try layering with acrylics on paper today. This is not something I normally do – because I don’t trust the nature of paper to stay strong during the layering process! Anyway, thanks to some of the tips that Gerda gives on her YouTube channel, I figured it out and now I’m having fun layering on paper for a change! Need to get some more acrylic medium though, as I’ve run out – so had to use heavy gel medium on this piece, which explains why I ended up with a bit more texture in the middle than I thought I would. 🙂
Again, thanks for stopping by.
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Janice Heather Scott 